This Morning I Drafted a Poem

I’m finding that in the midst of grief, I need to marvel at the wonders of my normal life: this morning I drafted a poem.

I didn’t get to spend much time writing last semester since I was teaching 4 classes with 110 students, but this semester I have half the number of students and 3 classes. I have a couple of mornings free to work in my office, and I intend to spend at least the first hour writing. How miraculous that I ever have the time and inclination to create. I’m working on a project that I’m tentatively calling All That Remains. It uses one chapter from each book of the Bible as a word bank, and the poems end up serving as strange retellings. I think. Part of the excitement is that this project keeps shifting, and I’m not sure where it will end up taking me. I started this project because I was angry with some people for taking biblical language out of context and using it as a weapon. I’m still angry about that, but the poems have turned into something less angry and more playful than I anticipated. I’m thankful that I get to do this work.

After my writing time, a dear friend stopped by my office on her way to work. She bought two of my poetry chapbooks for her cousin, and we chatted for a bit over Earl Grey tea and chocolate pretzel granola bars.

Now I’m going to prepare for tomorrow’s classes. I love teaching college students about poetry and language. I have no doubt that grief will attack me again before the day is over, but what a wonderful morning I’ve had.

 

“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.” – William Carlos Williams, “Asphodel, That Greeny Flower”

Granny

I try to keep this website focused on poetry, which means that I don’t post all of my cute baby videos or share the details of my son’s potty training here… unless those things appear in a poem. Then they’re fair game. For poets, the line between what is personal and what is professional is never very clear.

On December 23, my Granny, Wanda Faye Henson, passed away. She was my stay-at-home parent, my childhood playmate, and my current friend—the person I most often talked to on the phone. I couldn’t possibly have loved her any more than I do. Sometimes I feel relieved that she’s at peace. Sometimes I can’t breathe. It’s not professional to grieve in public.

Granny is one of the reasons I’m a poet. She helped me write down the first poem I created at age 4 (see Why I Write Poetry). She spent countless hours reading me nursery rhymes and stories. And Granny haunts my poems. Sometimes she’s explicitly named or described, but often she’s in the background—a swirl of cigarette smoke, a silent observer.

I had the privilege of reading a poem at her funeral. I chose “Chocolate Gravy,” which was one of the poems that I wrote in my first college poetry class. By the standards of current poetry, it’s too simple, too obvious, too rhymed, too sweet. I probably couldn’t write it today. But I’m glad that my 20-year-old self wrote it so that I could read it a decade later and share it with family and friends when we needed something melodic, soothing, and joyful in its celebration of Granny.

 

Chocolate Gravy

She dawns before the morning
In a pale pink gown,
In the kitchen starts performing,
Taking pots and pans down.

I wake to the clanking and the clatter
Of the dishes as she swishes
Round the kitchen to the patter
Of her slipper-tile kisses.

She’s a fairy in disguise,
Stirring nectar with her wand,
Measuring only with her eyes,
Magic passed down from her mom.

She butters all the biscuits;
Always serving, always making
Homemade heaven for her family,
Like this favorite: chocolate gravy.

I feel the thick, smooth liquid flow
Over my tongue, bathed with bliss,
Remembering what I already know:
If love has a taste, it is this.

 

 

Oct 06 019

Anthology of Ekphrastic Poems

I’m pleased to have three of my art-inspired poems published in an anthology called In Gilded Frame, just out from Kind of a Hurricane Press. Follow the link to the press’s website to read the free ebook version or to purchase a print copy.

My three poems in this anthology are “How to Appreciate Art” (inspired by Jessa Huebing-Reitinger’s “Courtnie” painting at the Johnson County Library), “Symmetry Drawing 72” (after M.C. Escher’s painting of the same name), and “The Museum Bowl” (inspired by the 2010 Super Bowl and the wager between the teams’ city museums).

Pushcart Prize Nomination

My poem “The Interview” has been nominated for a Pushcart Prize. Thanks, J. Bruce Fuller & Yellow Flag Press, for this honor. I’m still so pleased with this weird chapbook and the wonderful cover you gave it.

Award announcement:

http://yellowflagpress.blogspot.com/2013/11/pushcart-prize-nominations.html

Buy a chapbook:

http://yellowflagpress.tictail.com/product/katie-manning-i-awake-in-my-womb-pre-order

Thoughts on Second Sunday Reading Series

I had a wonderful time reading tonight at The Studio Theatre by Universal Studios. My fellow readers were fantastic: Karen Kevorkian, who teaches at UCLA,  and Hugh Martin, who is an Iraq vet and a Stegner Fellow. It’s not often that I come home from a poetry reading with a book by each of the other readers, but I sure did this time!

As for my work, I read a few poems from each chapbook. They seemed to go over well; the audience laughed heartily in all the right places and occasionally talked back between poems. 🙂 I love interactive audiences. They bought a few of my books too.

Thanks, Alex M. Frankel for running this series and inviting me to participate. Thanks also to Tarumi for the wonderful affirmation and for buying a copy of each of my books.

Reading: Second Sunday Poetry Series

Alex Frankel invited me to read in the Second Sunday Poetry Series over a year ago, and we finally found a good time for me to do it: tomorrow night. I plan to read a few things from each of my three chapbooks. There will be a few other poets reading and an open mic time afterwards, so feel free to come for any or all of the evening.

Second Sunday Poetry Series
November 10, 2013 at 5pm

The Studio Theatre at St. Denis Building
3433 Cahuenga Blvd West
Los Angeles, CA 90068
(Near Universal Studios)